Archive for November, 2012

Social Reinforcements For Trade Fairs

Thursday, November 15th, 2012

Social-Media-Tips-for-Trade-Shows1When it comes to trade fairs and/or exhibitions, employing a sturdy social media strategy ensures that the on-ground face-to-face efforts by an organisation goes down smoothly and reflects a desirable quantifiable output. In spite of the proliferation of social media into almost all aspects of business, there are still places like trade shows (a place where the brand comes alive in the physical world for user/customer experience) which leaves an enormous scope for social media to jump right in and augment a favourable impression as a product/service of consumer choice.

Having said that, careful and meticulous planning often goes into effect before the actual booth is setup at the event. Social media strategies are hence, usually prepared well in advance and are devised in three stages; pre-event, at the event and post event. Here we look at some of the ways in which trade fairs/exhibitions are leveraging few of most popular platforms out there on the social network.

Facebook:

The big daddy of social networks is the first platform that comes up in discussions when a social media strategy is being discussed for an upcoming trade fair. Understandably so, Facebook is a platform where it is possible to tap on to a vast reserve of existing as well as potential customers owing singularly to the massive reach and expanse.

Pre-Event:

Setting up an exclusive event page is the first step in creating a presence on the social map. This should ideally happen a few months prior to the actual day of the event. A careful screening of potential attendees, individuals ocreate new eventr groups, has to be done prior to event invites being sent out.

Once the page is set up and invites sent out, content pertaining to the event has to be posted from time to time to spark discussions among the attendees. Having compelling content on the page is the one of the key measures to ensure the audience does not lose interest in the event. It could be anything that concerns the trade fair. From fun trivia about the venue, legacy of the event, increasing number of attendees to serious numbers that speak volumes about how such events and exhibitions have benefited brands and companies over time. Besides this, there could be incentive based posts that could be redeemable at the booth on the day of the fair. This would definitely add traction to the event page.

@ The Event:

Continue the pace set during the pre-event by posting pictures, candid moments, interviews etc. on to the event page. At this stage, the focus should be at the happenings at the fair and the booth in particular. A product/service showcase to the customers at the booth and in the venue is the real time experience that is going to drive sales, eventually.

event page

Post-Event:

This is one of the most crucial stages that cannot be overlooked as it is in this stage that one mines out data, information and cues that determines what/how the next trade fair should go down. On the event page, it is important to keep the dialogue and engagement going on. This serves as a goldmine of insights as the page conversations are evaluated for customer likes/dislikes, needs and wants. Not to mention the frequent follow up lets the audience know that they’re valued and their say is taken into consideration by the firm to come up with products/services that are more aligned to their interests.

Twitter:

The rapidly growing real-time social networking and micro-blogging platform is the key to win loyal and potential customers in the long run.

Pre-Event:

Generate ample amount of awareness and anxiety by running tradeshow #hashtag campaigns to feature in trends. While the awareness is in the process of building, follow partners, associates, sponsors, decision makers and key influencers and follow their movements about Twitter. Run contests and sponsored ads or promoted tweets, if the budget permits and engage with the potential audience while answering queries. Share links about the trade shows and practices from the past from time to time along with the brands that are to be present at the fair. This way, participating brands and companies will also gain enough traction besides returning the favour and highlighting their presence at the trade fair.

Promoted Tweet

@ The Event:

Create topics according to the brands present at the fair and host contests while engaging in quick real time plays. Keeping the followers on the move by encouraging them to participate builds up the tempo and lets the tradeshow trend and gain recognition from other similar tradeshows. A plus side to this is that it falls under the non-participating brand scanner and highlights the potential of the tradeshow to provide a ready set of customers at the next installment of the same. Hence, an increased possibility of tie-ups with more brands and companies.

Post-Event:

Tweet links to the happenings at the event. Interviews, customer-engagement with staff, photos of participants of various contests etc. usually let the followers know that they are not forgotten. Engage with them and make new connections based on leads generated at the event. In fact the regularity and frequency of engagement is one of the key ingredients that go into building up the tempo for the next year. Gauge the results of engagement by getting to know exact numbers of followers gained. There are many online analytics available that throw out such data.

Linkedin:

Linkedin is undoubtedly one of the best social networking platforms where the business networkers and professionals of the world get together to chart a dynamic convergence of ideas pertaining to business growth and opportunities. Let’s see how this forum helps in popularising the trade fairs.

Pre-Event:

Trade shows are all about giving a physical facelift to business and professional connections and in the process, expanding the pool of potential customers and brand evangelists. Since it is relatively easier to profile individuals on Linkedin than other forums, the first order connections of the trade fair group should ideally be the first ones to receive invites. Needless to say, invites could be sent out to other similar groups of interest too. Besides this, adequate buzz created well in advance through posts and engagement with brand or other trade show groups would enable a top-of-the-mind recall.

@ The Event:

Update the group profile with grabs from interviews of the brand representatives at the booth; build up on the engagement by tagging brand pages of brands that are hosting a booth at the tradeshow. This increases synergy and the potential customer base that is part of these discussions on groups could even migrate to the tradeshow group for exchange of ideas, contacts and know-how.

Linkedin

Post-Event:

Convert the leads generated during the fair and build up on the newly formed first order connections. Share and welcome ideas and feedback from them. It is also possible to keep the activity on the page abuzz by talking on various topics on brand marketing, product features, customer service etc.

YouTube |Blogs | Pinterest | Foursquare:

Apart from the big three platforms in the social media space, trade fairs could use a combination of few of these prominent channels to maximize their impression in one, two, or across all the three stages. Say for instance, if the fair is showcasing brands that are high on design factor, it makes sense to create boards on Pinterest during the Pre-Event stage. Visual presentation of the booths or products creates a slight spur in the minds of attendees or potential customers and aids in better reception at the event.

Foursquare, the location based geo-targeting social networking platform allows to place the trade fair (venue) on the map. Creating a check-in venue prior to the event and following it up with quick contests keeps the audience on the hook. Give away goodies for check-ins and put out customised badges till the actual day of the event to build buzz, all the while keeping the audience on the hook.

Also, having a dedicated blog and YouTube channel only adds up to the appeal of an event. Blogging early prior to the live fair, sets a voice. This establishes what the trade fair is going to be about, what people could hope to be greeted with, the purpose and all that goes into making it a grand success story. To aid the blog, a micro-site is often set up alongside in order to hold contests, share information, audio-visual links, photo gallery etc. and let people keep a tab on the pulse of the fair. A YouTube channel meanwhile could be used to showcase video clippings of previous years. For the current running of the trade fair, live feed could be telecasted to those who are not physically present at the venue. Interviews with brand managers, representatives at the booth and customer interaction and contests could be uploaded post the event to have a go-to archive at any point in time for reference.

Do you think trade fairs stand to benefit from these strategies? What are some of the ways in which you think trade fairs can use social media better? Although integration and having the right social mix is what must have crossed every social media strategist’s mind, how do you think these platforms stock up in the long run?

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Bloggerati of the Fortnight: Rahul Balyan

Thursday, November 15th, 2012

RahulCurrent Position and Organization:
Head – Digital Initiatives at Radio Mirchi
Areas of Expertise:
International Business development; FMCG. Media and Entertainment Sales; Digital Marketing
Educational Background:
Masters in Business Administration from Indian Institute of Management, Calcutta (IIM); Bachelor of Engineering (Chemical) from Punjab University, Chandigarh
                                  Blog Name:  Reflections

Rahul Balyan admits to the fact that this blog that he describes as ‘a marketer’s world view’, was an afterthought. However, what remains true to the core are the matters that are being talked about in the posts; which incidentally are marketing, culture or social issues centric, something Rahul strongly feels about.

Most topics dealt with are clearly segmented into Opinion, Reviews, Travelogue, Fiction and Image Gallery. While the Opinion segment clearly voices his concern and take on various socio-cultural issues, the Reviews section is a critique’s point of view on popular movies and sitcoms. The Travelogue documents his own sojourns across various patches of earth, and sky in certain cases. Most posts are in first person narrative and a gripping tale all the way till the end and begs a discerning judgment from the reader.

Aesthetically, the blog is quite neat and crisp with catchy headers that draw a reader to delve deeper into the posts. The blog theme is simple and soothing to eye as opposed to most popular blogs that are high on colour, design and jazz. The images used are of high-quality, with detailed captions that one could choose to see as a slideshow in the Image Gallery.

If one spends a decent amount of time in going through the blog posts, it’s easy to tell definitively that the topics are well researched and supplemented with hard facts. The same reason that allows Rahul to take a stand for/against an issue. Having said that, Rahul himself is very open to the idea of clearing the cloud of doubt that might arise in a reader’s mind in case his opinion is not particularly aligned to the reader’s. What’s more? He humbly seeks to address it separately, too. In fact his ability to put forward his views with brevity and backing it up with palpable logic is one of the reasons why we find him befitting of our title, Bloggerati of the Fortnight.

Click here to read more about our Bloggerati of the Fortnight series.

The Art Of Social Performance

Thursday, November 1st, 2012

art193manualsocialmediaJust like any other business across industries and sectors, art and performance too need a boost when it comes to reaching out to a wider audience and grow. Having a social media presence was and will probably not always ensure direct sale of tickets or contribute to the income of artists. What it will rather do is build engagement and conversations and in the process help people in remembering and recognizing the name and who knows, it might even drive audience in. Let’s look at how social media is pioneering a whole new culture of enhanced audience reach out and increased awareness.

With the explosion of social media came a tech savvy breed of artists, musicians, performers and the likes of other creative individuals and organisations who ushered in the age of dynamism; not just in the ways of personal expression, but also in ways how it is consumed/experienced by the audience.

For the Shutterbugs:

For instance, Andy Adams’ Flak Photo, integrated with Twitter and Facebook and Slideluck Potshow’s extensive use of Ning network (enables users to create custom social network) are unique photography-driven initiatives that sets up a community of photographers who appreciate visual art and furthermore fuel art education. Curators, editors and photography fans throng these portals in search of rich and original visual captures, often lesser heard of in popular circuits. According to Adams, the major benefit of such forums and Facebook is to inspire and encourage international dialogue about the works and artists featured.

Besides these highly customised and type-centric portals, there are blogs, of course, which serve as one of the most affordable and the most feasible platforms to get the word out.

For the lovers of brush and canvas:

Individual artists or art organisations or museums are coming up all over the over the world and a lot of them usually treat social media as their second nature. To serve as an example or two, the Minneapolis’ Walker Art Center offers a platform for art aficionados to connect and join on various discussions, showcases and events with the content put out on the site pertaining to design, education, new initiatives and visual and performing arts. In addition, they publish art history and podcasts are made available through their iTunes U channel. One of their tabs on their Facebook page, At the Center, gives out details of exhibitions and events at their modern and contemporary theatre that is home to performing arts, dance, theatre and music. To keep patrons and enthusiasts hooked in real time, Twitter serves as an ideal medium.

The Brooklyn Museum in Brooklyn, New York, follows a similar approach by employing community tools and integrating various multimedia options to garner and tap on the socially savvy audience. The museum provides and encourages users to explore the museum’s collection online. In addition, an aggregated blog to keep the dialogue live and a regularly updated Facebook and Twitter accounts let people discover the plethora of artists that the museum endorses; all the time ensuring they point to the website/blog for fresh content. For a nominal fee, one can choose to take up the social networked museum membership that allows access to exclusive events and artist-created content.

For most independent artists, a blog usually provides an economical and effective option to exhibit and publicise art works and philosophy. This builds up the steam and in due course a fan page/profile on Facebook or a profile on Twitter augments the artist’s independent online gallery. After a point in time when an artist/ organisation/museum gathers a critical online mass, videos of interviews, concept development, influences, exhibitions, user reviews among others could be posted on YouTube.

For the purveyors of performing arts:

Music, dance, theatre, films and all associated events/festivals globally are increasingly taking to social media to expand their pool of fans and deliver to them an experience unparalleled. To begin with, let’s consider films.

Hollywood launched the Inside Experience sometime last year in collaboration with Toshiba and Intel to create one-of-a-kind social film directed by D.J.Caruso and starring the award winning actor, Emmy Rossum. The huge success that it amassed was primarily driven through social media. The concept was such that Emmy’s character was left stranded in a room with just a laptop and an untraceable internet connection. The promo clip that was shot and released on July 25th last year acted as a prelude and offered the audience a chance to shape the film. Up till July 20th, the audience could audition on YouTube for a cameo in the film. The film got aired in short bursts of episodes that later got edited and shown as one whole film.

The concept required the audience who could be Emmy’s friends, family and a world of strangers to offer solutions and help her escape out of the room she was trapped in. They could tweet to her or/and suggest actions on her Facebook timeline. The best answers were weaved together to form a cohesive plot. Well received by the online community, this stands out as a novel way for today’s film makers to identify the right mix and utilise social media in their favour.

Most importantly, the buck doesn’t stop here. Today, social media offers a host of opportunities to anyone ranging from a documentary or a short film to big budget film-makers. Film festivals have suddenly become a rage with the celluloid lovers. How is this made possible? From the much acclaimed Cannes Film Festival, Melbourne International Film Festival, Toronto International Film Festival to our very own International Film Festival of India (IFFI), everyone is using social media to bite a grab a bite of the global audience.

IFFI, for instance, launched dedicated pages on Facebook and Twitter besides aggressively promoting their cause on blogs, consumer forums and news sites. This was followed by closely monitoring and following the partners, prominent celebrities across the globe, directors, producers and other related film festivals. Grabs from films featured, the schedule, major star attractions and exclusive grabs of interviews along with pictures were circulated through select social networks in the run up to the main event. In a span of a month numbers shot up and garnered a lot of international attention and interest.

The music and the theatre community have soared to great heights in terms of using social media too. Although many musicians, theatre groups, organisations and festivals/events are using Facebook and Twitter extensively, this segment is focusing more on niche social marketing. Companies such as Ning provide an excellent platform for any performing group to launch their own social network and have discussions and interactions with a select batch of patrons/fans who could later on become potential ambassadors for the brand. Meetup is one such community that thrives on gathering talent pool with people who share common interests or hangout or collaborate for projects.

Even music festivals and theatre groups’ closer home are not missing out on an opportunity to capitalize on the potential of social media. Take for instance, the recent success of India’s gradually growing into a wide scale and one-of-a-kind music festival, Bacardi NH7 Weekender. Two years into running and bringing together various acts and gigs at a single venue, it has reached out to a growing niche segment of music aficionados and the glory of open air music festivals. Much of its success is owed to the aggressive use of social media. In a span of less than 2 years its Facebook page already boasts of acquiring close to 50, 000 fans and during the festivals it regularly features in twitter trends. The recently launched Festivapp, integrated with Google Play and downloadable from iTunes, is a definitive mobile app that gives a list of similar festivals/events happening in the country. The feeds are reflected on the user’s Facebook and Twitter feed, should they choose to publish it. Besides this, there is an interactive map, interactive schedule and photo booth (allows user to take photographs themed around the festival) feature also available for exploits.

Individual music groups are already a hit on the social media with fans. From announcing tour dates to candid behind the camera grabs, making of a video to exclusive bites from band members and fan interaction; Facebook, Twitter, Myspace and YouTube have become crucial platforms for the bands/groups to get inspired and grow. From bands like Coldplay, Metallica, DJ Tiesto to individual artists such as John Mayer, Rihanna and even the ones closer home; Parikrama, Indian Ocean, Pentagram and others, they’re all branching out to social platforms where there audience already is.

When it comes to theatre, there still is still a lot to be done as there are only a handful of scattered theatre groups or organisations that have a social media presence. Consider for instance, the Mikron Theatre Company in the UK spends a lot of time (40 years) touring (mostly on an old canal narrow boat). Mikron has a page on Facebook, an account on Twitter, a dedicated YouTube channel that showcases open rehearsals, trailers of plays, tour kick-off exclusives etc. and a blog that is integrated to the website that gives sneak-peaks to backstage activities.

Closer home, Prithvi theatre, one of the most popular and illustrious theatre organisations from Mumbai is gradually catching up with the social media buzz. The Prithvi Theatre Festival that is held annually brings together some of the best known playwrights, directors, actors and theatre groups. Promotion primarily takes place through their website, Facebook and Twitter accounts. Although, they have a channel on YouTube, it is sparingly used and there’s a huge scope to utilise this platform.

In your opinion, what do you think of creative entities using social media to draw in audience and deliver entertainment and learning? Share them in the comments section below.

Bloggerati of the Fortnight: Aparna Balasubramanian

Thursday, November 1st, 2012

AparnaCurrent Position and Organisation:
Stay at home mother; Blogger and Freelance Photographer
Areas of Expertise:
Blogging; Food Photography and Styling; Black &White Photography; Interior/Exterior Photography; Street Photography
Blog Name: Mydiversekitchen

For those with a gastronomic bent of mind and a penchant to capture the finer things in life, food and photography is perhaps a match made in heaven. Aparna Subramanian’s blog is a visual delight for all and a must-visit for any vegetarian. There is an occasional sprinkling of posts on baking that she had a long time fascination with and as she puts it out herself, one might be forgiven to mistaken it for a baking blog.

As the blog title suggests, most posts are usually supplemented with a high-quality photograph of the dish/preparation along with the recipe, wherever applicable. Aparna’s virtual kitchen began as an attempt to showcase her family’s traditional Palakkad Iyer cuisine to the world and although it has grown to embrace multiple cuisines over time, it has been able to maintain the vegetarian culture to it.

Aesthetically, the blog is well laid out with images and words forming a cohesive web of unique reading experience. The title to the posts is catchy and keywords are marked in bold. Due references are made to sources that have been cited. It shouldn’t come as a surprise why this blog has been adorned with a multitude of awards and recognitions. To make sharing simple for those who wish to, a whole array of widgets are conveniently placed towards the end.

If one carefully sifts through the blog posts, it’s evident that Aparna has devoted a lot of time and energy in taking the reader through her creations; at times even relating to history that provides depth to the narrative. Most posts have elements of her personal journey and learning that she effortlessly blends into the art of storytelling which makes for a wholesome reading. We consider it an honour to recognise her efforts and give her the title of our Bloggerati of the Fortnight.

Click here to read more about our Bloggerati of the Fortnight series.